入校以来所获荣誉：
2020年，南京理工大学 “我最喜爱的研究生导师”；
2020年，南京理工大学 “科技新锐”；
2020年，南京理工大学校级科技成果奖二等奖；
2018年，“兰杉杯” 青年教师教学明星赛暨第二届江苏省本科高校青年教师教学竞赛二等奖；
2017年，南京理工大学青年教师讲课竞赛一等奖 （西方电影文化）；
2017年，南京理工大学外国语学院院长奖章科技成果奖；
2017年，外国语学院语思杯 “优秀指导老师”；
2016年，入选江苏省双创计划 “双创博士”；
2016年，南京理工大学外国语学院院长奖章特殊贡献奖。
欧洲美国研究协会EAAS成员；
中国高等院校影视学会成员；
为包括Journal of Media and Children (SSCI), Critical Arts (SSCI, A&HCI), Continuum: Journal of Media and Cultural Studies (SSCI, A&HCI), Visual Studies (A&HCI), Asian Studies Review (SSCI, A&HCI), OBS*Observatorio等在内的国际学术期刊担任审稿人。
进校以来主持的项目：
1. 2019-2021，中国形象在白俄罗斯影视平台的传播三角结构研究，南京理工大学白俄罗斯研究专项重点资助项目（5万）；
2. 2016-2020，百年好莱坞的中国想象及其在中国的接受性研究，教育部人文社科青年基金项目（8万, 免检结项）；
3. 2016-2018，美国电影与中国电影中的华人移民形象比较，江苏省双创计划资助项目（15万，结项）；
4. 2018-2019，1904-1949欧美电影在南京的传播与影响研究，南京理工大学自主科研项目（2万，结项）；
5. 2016-2017，21世纪好莱坞电影中的中国想象及接受性探析，南京理工大学自主科研项目（2万，结项）；
6. 2015-2016，民国时期好莱坞家庭题材的电影在中国的传播，南京理工大学科研启动项目（2万，结项）；
7. 2015-2016，“好莱坞之父” 格里菲斯在中国的接受性，南京理工大学外国语学院自主科研项目（4万，结项）。
1. Han, Q. The Anxiety of Authenticity: The Historical Reception of Broken Blossoms (1919), Shanghai Express (1932), and The Good Earth (1937) in China. Historical Journal of Film, Radio and Television. 2021,41(2), pp.1-19. (A&HCI)
2. Han, Q. Projecting Chinese Rural Society in films: the Past and the Present. Cultural and Social History. July 2021, pp.1-18. (A&HCI)
3. Han, Q & Curtis, D. R. The Female Burden Visualized: Cinematic Representation of Women during Epidemics. The Journal of Popular Culture. 2021, 54(5), pp.1-27. (SSCI, A&HCI)
4. Han, Q & Curtis, D. R. Cinematic Representation of Early Modern Women and Epidemics in Film. Early Modern Women: An Interdisplinary Journal. 2021, 16(1): pp.123-134. (A&HCI)
5. Han, Q & Curtis, D. R. Epidemics, Public Health Workers, and "Heroism" in Cinematic Perspective. Visual Studies. April 2021, pp.1-13. (A&HCI)
6. Han, Q. Feng Xiaogang's Youth (2017) and the Nostalgic Imagination. Canadian Journal of Film Studies. 2021, 30(2):pp.93-111. (A&HCI)
7. Han, Q. Voyage Through Childhood into the Adult World: An Overview of Chinese American Children and Youth in Cinema. Social Identities: Journal for the Study of Race, Nation and Culture. 2020, 27(2), pp.1-17. (ESCI)
8. 胡译丹，李薇薇，王会敏，韩琦珺*. 受众商品论视角下迪士尼影片的“少数族裔”形象生产与消费.《北方文学》2020年11期，119-123.
9. Curtis, D. R. and Han, Q. The Female Mortality Advantage in the Seventeenth-Century Rural Low Countries. Gender and History. 2020, 33(1), pp.1-25. (SSCI, A&HCI)
10. Han, Q. & Curtis, D. R. Suspicious Minds: Cinematic Depiction of Distrust during Epidemic Disease Outbreaks. Medical Humanities (BMJ). 2020, 47(2), pp.1-9. (A&HCI)
11. Han, Q. & Curtis, D. R. Social Responses to Epidemics Depicted by Cinema. Emerging Infectious Disease (CDC). Dec 2019 early release. 2020, 26 (2): pp.389-394. (SCI, 一区)
12. Han, Q. Chinese Family Drama through a Transnational Lens. International Journal of Media and Cultural Politics. 2019, 15(3): pp.323-343. (ESCI)
13. Han, Q. Negotiated Chineseness and Divided Loyalties. Qing Cao, Doreen Wu & Keyan G. Tomaselli (Eds.) China's Identity Transformations: Brand China in the Media. London, New York: Routledge, 2019.
14. Han, Q. Imagining the Countryside in Chinese Cinema. The Asia Dialogue, 2019. (该文受英国诺丁汉大学亚洲研究中心邀请撰写，关于中国电影发展趋势的特刊）
15. Han, Q. Negotiating Identity in the Diasporic Space. Continuum: Media and Cultural Studies. 2017 early release. 2018, 32 (2): pp.1-15. (SSCI, A&HCI)
16. Han, Q. Negotiated Chineseness and Divided Loyalties. Critical Arts. 2017, 31(6): pp.1-23. (SSCI, A&HCI)
17. Han, Q. Alice Wu and Saving Face. John Berra (Ed.) Directory of World Cinema: American Independent. Chicago University Press, 2016, pp.276-280.
18. Han, Q. Chinese American Family and Children. Dong Lan (Ed.) Asian American Culture: From Anime to Tiger Moms. ABC-CLIO/Greenwood Press, 2016, pp.158-162.
19. Han, Q. Chinese American Immigration. Dong Lan (Ed.) Asian American Culture: From Anime to Tiger Moms. ABC-CLIO/Greenwood Press, 2016, pp.178-185.
20. Han, Q. The Portrayal of Family in Early Chinese Melodrama Films. Critical Arts. 2015, 29(3): pp.418-435. (SSCI, A&HCI)
21. Han, Q. Negotiating the Meaning of Filial Piety in the Guasha Treatment. East Asian Journal of Popular Culture. 2015, 1(2): pp.223-237.
22. Han, Q. Melodrama as Vernacular Modernism in China. Scope: Film and Television History, Theory, and Criticism. 2014, no. 26, pp.1-18.
23. Han, Q. The Cinematic Depiction of Conflict Resolution in the Immigrant Chinese Family. International Journal for History, Culture and Modernity. 2013, 1(2): pp. 129-159.
24. Han, Q. An Overview of Traditional Chinese Family Ethics. Quarterly Journal of Chinese Studies. 2012, 1(1): pp.85-99.
25. Han, Q. Across Cultural and National Borders: Diasporic Chinese Family in Pushing Hands. CINEJ Cinema Journal. 2011, 1(1): pp. 107-115. (ESCI)
1. The Cinematic Representation of Chinese American Family. Cambridge Scholars Publishing, 2016.
2. The Infectious Inequalities: Epidemics, Trust, and Social Vulnerabilities in Cinema. Routledge, 2021 December.